Non Members - Society of Women Artists 163rd Annual Open Exhibition
239 artworks
Winter Colour by samantha guertin
Winter Colour by samantha guertin
1 / 239
By samantha guertin
oil on gesso wood panel
h: 30 w: 40 d: 2 (cms).
I love the vibrancy of the St Leonards - on - Sea swimmers against the muted winter palette of greys, browns and greens.
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Hot Flush by komachi goto
Hot Flush by komachi goto
2 / 239
By komachi goto
oil on board
h: 24 w: 18 d: 1 (cms).
Hot flush, my painting is about myself and how I am dealing with various menopause symptoms. One of it is the hot flush, I have had this sudden heat, mostly on my face, for last ten years or so. Usually I ignore it as its passes quick enough and no time to do much about it. But as my other Job is life drawing model and often used as portraiture model and as I feel sudden heat climbing up my face, I can see artists have to stop or observing my ever changing tone For this self portrait, I have worked from live, with mirror and when hot flush hit, I took photos of myself and worked from photograph too. I didn’t realized how red/orange I turn. Hot flush is not pleasant experience but I can’t be bothered by it as it happens so often and had been for so long, and I joke about it. If I could ride above my embarrassment, if I could whistle it away I would, even only in paintings.
£1200
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Docs and Stripey Socks by Tina Braddock BA(Hons)
Docs and Stripey Socks by Tina Braddock BA(Hons)
3 / 239
By Tina Braddock BA(Hons)
Etching
h: 17 w: 14 d: 1 (cms).
Docs. Stripey Socks. I consider this a self portrait. Stripes are a magnet for me, I dont know why, and they are frequently paired with my tatty old docs. I will be buried in them some day, hopefully not soon.
£250
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Sulight in Yellow Room by Sue Wales
Sulight in Yellow Room by Sue Wales
4 / 239
By Sue Wales
Oil on canvas
h: 46 w: 36 d: 2 (cms).
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Urban Jungle by Debbie Ayles
Urban Jungle by Debbie Ayles
5 / 239
By Debbie Ayles
Acrylic, gouache, watercolour, pencil on paper
h: 57 w: 74 d: 1 (cms).
The shapes and forms of the architecture and transport hub that surround the London Eye.
£1500.00
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Yellow Sunhat by jeanne crosse
Yellow Sunhat by jeanne crosse
6 / 239
By jeanne crosse
Oil and wax
h: 25 w: 20 d: 1 (cms).
£600
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Pink Summer by Fiona Scott BA
Pink Summer by Fiona Scott BA
7 / 239
By Fiona Scott BA
Oil on canvas
h: 80 w: 80 d: 3 (cms).
£1950
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Drink Wine and Pick Dandelions by sally ellis
Drink Wine and Pick Dandelions by sally ellis
8 / 239
By sally ellis
Mixed Media
h: 60 w: 84 d: 3 (cms).
It's abstracted familiarity. I wanted to capture a hope, a wish, that's all. I express with many, many spontaneous marks and layers of inks, pencils, and paint, without any expectation of outcome. This way I can't get a wrong result. My thoughts were about the future and who would be part of it, a need for meaningful connections and simple things. Often it's vessels that appear first, here the glasses were obvious to me with the flashes of blue, from there came a narrative of friendship and sharing, of happiness and of hope. But my story is unimportant, I want to evoke untold or as-yet-unknown narratives and emotions of connection and familiarity.
£1500
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Pearl by harriet white
Pearl by harriet white
9 / 239
By harriet white
Oil on linen
h: 77 w: 142 d: 3 (cms).
Part of a series exploring ambiguity in portraiture.
£7200
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Balancing Stork by karen mcendoo SWAc
Balancing Stork by karen mcendoo SWAc
10 / 239
By karen mcendoo SWAc
Acrylic
h: 40 w: 30 d: 5 (cms).
A small work depicting a colourful stork playing and balancing on a ball
£680
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Reflections - self portrait on a train by jane molineaux boon
Reflections - self portrait on a train by jane molineaux boon
11 / 239
By jane molineaux boon
oil on canvas
h: 60 w: 50 d: 2 (cms).
an interpretation on the theme of the self portrait, using selfies taken on train journeys. An exercise in painting light and movement and producing a self portrait which is about the whole person rather than image of their face
£1150
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Climbing Horse by karen mcendoo SWAc
Climbing Horse by karen mcendoo SWAc
12 / 239
By karen mcendoo SWAc
Acrylic
h: 40 w: 30 d: 5 (cms).
Painting of an adventurous climbing horse
£680
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Gathering Heather by laura cramer
Gathering Heather by laura cramer
13 / 239
By laura cramer
Acrylic and Mixed Media on Canvas
h: 50 w: 50 d: 2 (cms).
This painting explores the shapes and patterns of plants found in my garden in their simplest of forms.
£950
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Blackbirds & Thrushes by Elina Siddal
Blackbirds & Thrushes by Elina Siddal
14 / 239
By Elina Siddal
oil paint on linen canvas
h: 65 w: 54 d: 2 (cms).
Exploring dualities, this painting pays homage to the traditional tune Hares on the Mountain, a love ballad shifting the traditional power dynamic in courtship. Standing in between two branches, hair braided from two strands of hair, the central maiden is surrounded by two songbirds. Embodying the men, their presence challenges the commonly held analogy between women and non-threatening animals such as birds (a saying still used to refer to girls in a foolish manner) in folk music. The strawberry, held in defiance, historically embodies both righteousness and sin. The choice of referencing an archival Strawberry Thief Liberty dress, whose pattern was designed after the cheeky thrushes W. Morris used to spot in his garden, subtly expands on this ambiguity. Seen as the fruit of love in ancient Rome, a devotional symbol of the Virgin in Medieval manuscripts, and even temptation’s ally in Bosch’s Garden of Delights, its double meaning never ceases to question intent. This painting, with its rich tones and luminous glazes, is an exercise in balance, standing in tune with our time in its subversive playfulness.
£6500
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CHISOM by Flo Long
CHISOM by Flo Long
15 / 239
By Flo Long
Pencil
h: 42 w: 30 d: 1 (cms).
£2360
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The Bed by Sue Wales
The Bed by Sue Wales
16 / 239
By Sue Wales
Oil on board
h: 35 w: 35 d: 1 (cms).
£975
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innocence by HayamElsayedart
innocence by HayamElsayedart
17 / 239
By HayamElsayedart
Oil on linen
h: 30 w: 25 d: 2 (cms).
"One of the most important - and most intimidating - parts to paint or draw are the eyes. the human eye is vital to communicating emotion, character and inner thoughts. getting the eyes just right is hard. To Make Realistic Eyes, We Need to Force Our Brains to See What's Really There. "innocence, " I hope this painting recreates and brings out the feeling of freedom, happiness and elegance.
£800
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The Infinite Shepherdess by sophie howard
The Infinite Shepherdess by sophie howard
18 / 239
By sophie howard
Bronze resin
h: 40 w: 39 d: 15 (cms).
The infinite Shepherdess refers to the song La Mer. In that song by Charles Trenet she looks after the sheep (clouds) on the blue landscape of the sky. Along the same coast, rustic houses and white birds look down on the sea, where horses gallop in the surf.
£800
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Delivery Room by liz dulley
Delivery Room by liz dulley
19 / 239
By liz dulley
Watercolour
h: 38 w: 53 d: 1 (cms).
Inspired by travel in Japan and Scottish connections I use expressive marks in watercolour to explore movement and development of growth, in rural and urban space.
£900
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Felippe by issy gibbs
Felippe by issy gibbs
20 / 239
By issy gibbs
oil on canvas
h: 60 w: 50 d: 1 (cms).
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In Winter by janet keith
In Winter by janet keith
21 / 239
By janet keith
acrylic on board
h: 38 w: 51 d: 1 (cms).
£700
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Shifting Tides by nicki heenan
Shifting Tides by nicki heenan
22 / 239
By nicki heenan
Ink and Pigment
h: 37 w: 30 d: 1 (cms).
This work is uses mineral pigments as part of its structure which granulate and behave in unpredictable ways the same way as in nature.
£550
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A Bridge to Cross by nicki heenan
A Bridge to Cross by nicki heenan
23 / 239
By nicki heenan
Ink and Pigment
h: 25 w: 37 d: 1 (cms).
The ageing structure of the bridge lent itself to a wabi Sami approach of removing and cutting back into the surface. thinking negatively lights out of the darks
£525
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Lunch at La Cage Imaginaire by lesley dabson
Lunch at La Cage Imaginaire by lesley dabson
24 / 239
By lesley dabson
Oil on board
h: 20 w: 20 d: 1 (cms).
£485
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A yellow-tailed white cockatoo by felicity starr
A yellow-tailed white cockatoo by felicity starr
25 / 239
By felicity starr
Oil on canvas panel
h: 30 w: 14 d: 1 (cms).
£399
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Blossom on Flask Walk by lesley dabson
Blossom on Flask Walk by lesley dabson
26 / 239
By lesley dabson
Oil on board
h: 20 w: 20 d: 1 (cms).
£485
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Seville Plaza by adrienne parker
Seville Plaza by adrienne parker
27 / 239
By adrienne parker
Acrylic Inks, Heavy Body Acrylics, Pastel Pencils and Collage on Touch Paper
h: 47 w: 62 d: 1 (cms).
£1600
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Hebe by jane palmer
Hebe by jane palmer
28 / 239
By jane palmer
oil on stretched linen canvas
h: 61 w: 45 d: 3 (cms).
Hebe with red hair band. Painted from life over 3 weeks.
£650
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Southbank One by Deborah Hercun
Southbank One by Deborah Hercun
29 / 239
By Deborah Hercun
Photopolymer etching
h: 76 w: 56 d: 1 (cms).
Hand printed on Somerset satin 250gsm.
£625.00
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Sacrifice by veronica valeri
Sacrifice by veronica valeri
30 / 239
By veronica valeri
Acrylic on board
h: 25 w: 20 d: 1 (cms).
The painting is a metaphor for the sacrifice behind the achievement of success, of every success. We can see the wounds on a dancer's feet, hidden by her pretty ballet shoes. The dancer seems to float with grace and lightness during the performance, without apparent effort, but in reality she dedicates herself to a strenuous daily practice to achieve her goal.
£450
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Zagara by emily rogers
Zagara by emily rogers
31 / 239
By emily rogers
Oil on canvas
h: 60 w: 50 d: 4 (cms).
This portrait was painted entirely from life under natural light using the sight-size technique at the Charles H. Cecil Studios in Florence. I loved capturing Zagara's expression and painting her short hair held in place with the green headscarf.
£3000
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Boatyard by alex ayliffe
Boatyard by alex ayliffe
32 / 239
By alex ayliffe
Oil on board
h: 60 w: 50 d: 1 (cms).
Part of my Suffolk Boatyard series depicting the working boatyard on the River Deben
£795
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Girls' Day Out by Anita Saunders BA(Hons)
Girls' Day Out by Anita Saunders BA(Hons)
33 / 239
By Anita Saunders BA(Hons)
Oil-based and acrylic inks on acid-free heavyweight paper
h: 43 w: 34 d: 2 (cms).
Girls' Day Out combines two printmaking techniques - silkscreen and lino printing. The drawing fluid technique was employed to create the individual screens used to lay down the base colours for each print in the edition. Printing a carved lino block over the base colours using warm black, oil-based printing ink, completed the composition. The inspiration was provided by the obvious joy of a trio of hens as they explored the garden, free of the henhouse.
£310
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Magnolia in bloom by felicity starr
Magnolia in bloom by felicity starr
34 / 239
By felicity starr
Oil on canvas panel
h: 30 w: 40 d: 1 (cms).
£449
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Limes by felicity starr
Limes by felicity starr
35 / 239
By felicity starr
Oil on canvas panel
h: 10 w: 14 d: 1 (cms).
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Picasso and pinecone by felicity starr
Picasso and pinecone by felicity starr
36 / 239
By felicity starr
Oil on canvas panel
h: 18 w: 13 d: 1 (cms).
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Busy Day Tokyo by Sylvia Paul
Busy Day Tokyo by Sylvia Paul
37 / 239
By Sylvia Paul
Acrylic on Canvas
h: 70 w: 70 d: 2 (cms).
I used my original reference photos to create this painting. It captures the busy colourful atmosphere of a street in Tokyo in an expressive way. I used a palette knife to apply the heavy body paint.
£2000
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Self portrait at 32 by paulina kwietniewska
Self portrait at 32 by paulina kwietniewska
38 / 239
By paulina kwietniewska
oil on paper
h: 40 w: 30 d: 1 (cms).
It one of a few self portraits I have painted from life. Having suffered from eating disorders for many years, I find painting myself to be a healing process where I'm not judging myself but trying to state some facts about my physical appearence. I noticed that in presence of a mirror, I tend to objectify myself - whether it's a mirror in an elevator, or a car or shop window. I realised that when I paint myself though, I free myself from judgement, see things as they are and look at myself with acceptance. I made these self portraits a tradition now and it's a space where I go when I'm not feeling very well or need to understand myself.
£500
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Myriam by meryl chhabra
Myriam by meryl chhabra
39 / 239
By meryl chhabra
Oil
h: 70 w: 50 d: 2 (cms).
I like steps and doors as they suggest transition. Although small in her environment, Myriam holds our gaze.
£600
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Mathilde II by belinda eaton
Mathilde II by belinda eaton
40 / 239
By belinda eaton
Oil and Canvas
h: 125 w: 95 d: 2 (cms).
£7950
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Beach Bodies 2 by theresa pateman
Beach Bodies 2 by theresa pateman
41 / 239
By theresa pateman
etching
h: 20 w: 15 d: 1 (cms).
£250
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Her by shiquerra clarke
Her by shiquerra clarke
42 / 239
By shiquerra clarke
Pencil
h: 42 w: 21 d: 1 (cms).
£3500
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A Wife’s Apprehension by Isabella Murphy
A Wife’s Apprehension by Isabella Murphy
43 / 239
By Isabella Murphy
Pencil
h: 29 w: 21 d: 1 (cms).
This portrait depicts my mother after my father’s stroke. I intended to capture her anxiety, fear and exhaustion. Drawing at this difficult time was very healing for me.
£500
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The Artist"s Studio by anne skinner
The Artist"s Studio by anne skinner
44 / 239
By anne skinner
Acrylic
h: 87 w: 107 d: 1 (cms).
Inspired by the view from my studio window, with items from my desk
£3200
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Tea Sifter Spoon by janine shute
Tea Sifter Spoon by janine shute
45 / 239
By janine shute
Pastel and charcoal
h: 58 w: 39 d: 1 (cms).
Pastel drawing in vintage tea chest panel
£895
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Surface 6. Cornwall by Tanya Avchinnikova
Surface 6. Cornwall by Tanya Avchinnikova
46 / 239
By Tanya Avchinnikova
Soft pastel
h: 30 w: 24 d: 1 (cms).
£480
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Surface 8. Cornwall by Tanya Avchinnikova
Surface 8. Cornwall by Tanya Avchinnikova
47 / 239
By Tanya Avchinnikova
Soft pastel
h: 30 w: 24 d: 1 (cms).
£480
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Mum, aged 81 by Victoria Sills
Mum, aged 81 by Victoria Sills
48 / 239
By Victoria Sills
Oil on board
h: 15 w: 10 d: 1 (cms).
Painting based on a sitting
£850
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Moon over Aldeburgh II by rachel arif
Moon over Aldeburgh II by rachel arif
49 / 239
By rachel arif
Oil on Board
h: 20 w: 30 d: 2 (cms).
A smaller crop of the original large painting, Full Moon over Aldeburgh. I was also thinking of Joan Eardley Catterline works, I feel this comes across a little in this work.
£550
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Stanley by trudy harman
Stanley by trudy harman
50 / 239
By trudy harman
Pastels
h: 21 w: 30 d: 1 (cms).
£600
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Siren by victoria atkinson
Siren by victoria atkinson
51 / 239
By victoria atkinson
jesmonite
h: 50 w: 15 d: 15 (cms).
£680
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Las Canteras by lesley hilling
Las Canteras by lesley hilling
52 / 239
By lesley hilling
Salvaged wood
h: 55 w: 55 d: 12 (cms).
The wood in this piece has been collected from various sea side places, parts of old beach huts and unwanted furniture eroded over time. Pieced together with an obsessive joinery to create a new object redolent of the past.
£2500
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Defiant by jane andrews
Defiant by jane andrews
53 / 239
By jane andrews
Oil on canvas
h: 102 w: 76 d: 5 (cms).
£3625
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After Apnea by jane andrews
After Apnea by jane andrews
54 / 239
By jane andrews
Oil on canvas
h: 102 w: 127 d: 5 (cms).
£5075
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Trees on a Dry Stone Wall by amanda bates
Trees on a Dry Stone Wall by amanda bates
55 / 239
By amanda bates
Ink on kaolin-coated board
h: 40 w: 30 d: 1 (cms).
A rain-darkened oak and a holly growing on a disused wall in Shropshire.
£460
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All Shapes and Sizes by imogen hartridge BA
All Shapes and Sizes by imogen hartridge BA
56 / 239
By imogen hartridge BA
Oil paint
h: 50 w: 50 d: 3 (cms).
I make all the cakes I paint. Double joy. But it's not just about cake.
£400
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Hidden Fresco by mary mcfadden
Hidden Fresco by mary mcfadden
57 / 239
By mary mcfadden
Earthenware ceramics
h: 29 w: 24 d: 9 (cms).
Inspired by Greek pottery and the beauty of eroded frescoes on ancient walls. Handbuilt using slab building techniques, decorated in a abstract fresco pattern design using slips and stencil work. Highlighted with gold lustre.
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Blue Moon Bird by mary mcfadden
Blue Moon Bird by mary mcfadden
58 / 239
By mary mcfadden
Earthenware Clay
h: 33 w: 23 d: 9 (cms).
Inspired by Greek pottery. Handbuilt using slab building techniques. I've decorated it using abstract painting designs with slips, underglaze colours and gold and black inserts transfers to add a contemporary feel. Highlighted with gold lustre.
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The Bench, Villa Melzi Gardens, Bellagio, Italy by audrey rapier
The Bench, Villa Melzi Gardens, Bellagio, Italy by audrey rapier
59 / 239
By audrey rapier
Oil on wood panel
h: 26 w: 21 d: 1 (cms).
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View of the Cornish Coast by audrey rapier
View of the Cornish Coast by audrey rapier
60 / 239
By audrey rapier
Oil on wood panel
h: 26 w: 21 d: 1 (cms).
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Fallen Angel by jill burridge
Fallen Angel by jill burridge
61 / 239
By jill burridge
Acrylic and charcoal on mount board
h: 100 w: 100 d: 1 (cms).
The circus artist performing for the audience's entertainment has now 'Fallen'. This is her time and her choice; both defiant and indifferent to the viewer.
£2200
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Self Portrait, Village Hall Antichamber, 6 Dec 2023 by alex boardman BA(Hons)
Self Portrait, Village Hall Antichamber, 6 Dec 2023 by alex boardman BA(Hons)
62 / 239
By alex boardman BA(Hons)
Oil on Board
h: 18 w: 16 d: 1 (cms).
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Exploded by toni dade SBA
Exploded by toni dade SBA
63 / 239
By toni dade SBA
Watercolour
h: 60 w: 40 d: 1 (cms).
£3750
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Personal Space: Spin by catherine macdiarmid
Personal Space: Spin by catherine macdiarmid
64 / 239
By catherine macdiarmid
Oil on canvas
h: 35 w: 35 d: 5 (cms).
My work is inspired by the people around me – friends and close family feature predominantly. I never seek to flatter, but rather to unveil hidden narratives and record situations the way I see or recall them, representing for me a memory, relationship, event, or even a feeling, making each piece very personal. These can be single portraits, or scenes featuring groups and gatherings. I sometimes alter narratives by juxtaposing figures together, however, primarily it is determined by my perception of different situations and the people around me.
£900
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L'Ange Pénitente by Julia Alexandra Beer MFA
L'Ange Pénitente by Julia Alexandra Beer MFA
65 / 239
By Julia Alexandra Beer MFA
Bronze-patinated
h: 68 w: 20 d: 16 (cms).
£3800
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Whispers by cristina vercesi
Whispers by cristina vercesi
66 / 239
By cristina vercesi
Oil on linen
h: 12 w: 18 d: 1 (cms).
: "In this painting titled 'Whispers,' I have focused solely on the features of the mouth and the lower part of the nose, where an unconventional veil of blue and purple transcends the natural skin tone. The composition captures a moment just before the mouth opens, as if a secret or a whisper is on the verge of being shared. The choice of unconventional colours aims to draw the viewer's attention more intently to the mouth, emphasising the anticipation of words unspoken and the power of silent communication.
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Gold Stripe by carol ryder HFEA; MA; PG Cert Ed; BA hons
Gold Stripe by carol ryder HFEA; MA; PG Cert Ed; BA hons
67 / 239
By carol ryder HFEA; MA; PG Cert Ed; BA hons
Water Colour
h: 42 w: 29 d: 1 (cms).
‘Gold Stripe’ is a portrait of performance artist Silvia Ziranec. It forms part of a series called 'Portraits of Personal Style', in which a diverse range of women and girls with nonconformist approaches to personal expression are depicted in ways that defy patriarchal conventions of female representation. Throughout the history of art, where images of women were traditionally created to satisfy the dominant patriarchal culture and the male gaze, older women are frequently depicted as frail and vulnerable, or as obsolete, sexually bankrupt anachronisms, particularly when contrasted with images of young women, typically depicted as sexual objects. Silvia’s energetic presence and playful approach to fashion and style inspired me to paint her portrait to present an alternative, more positive view of the older woman. In the execution of this portrait, I sought to capture Silvia’s lively personality, bemused expression, and idiosyncratic personal style. On the day I met her, along with her bright magenta hair, cluster pearl earrings, beaded bauble necklace and electric blue eyeliner, Silvia wore a gold stripe painted on her nose. The resulting portrait was painted in watercolour, with the gold stripe on Silvia’s nose applied using imitation gold leaf.
£1850
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Zoom Call by carol ryder HFEA; MA; PG Cert Ed; BA hons
Zoom Call by carol ryder HFEA; MA; PG Cert Ed; BA hons
68 / 239
By carol ryder HFEA; MA; PG Cert Ed; BA hons
Water Colour
h: 27 w: 27 d: 1 (cms).
During The Covid-19 pandemic of 2020 – 2021, UK government guidelines related to social distancing led to the widespread adoption of the Zoom platform to enable continued interpersonal communication. This watercolour portrait was painted from a screengrab, taken by the artist, during such a Zoom meeting with businesswoman and friend, Jan Bigg-Wither. The portrait is part of a series called 'Portraits of Personal Style', in which a diverse range of women and girls with nonconformist approaches to personal expression make a valuable contribution to the broader landscape of contemporary style and challenges the recurrent female stereotypes that permeate popular culture and the visual arts, where women and girls are frequently represented as erotic, sexualized, infantilized, vulnerable or submissive, in imagery designed to satisfy the male gaze.
£1650
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Bread and Butter on Gaudy Welsh by julie davis
Bread and Butter on Gaudy Welsh by julie davis
69 / 239
By julie davis
Oil on board
h: 25 w: 30 d: 1 (cms).
£600
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I Am Half-Sick of Shadows by lauren ross
I Am Half-Sick of Shadows by lauren ross
70 / 239
By lauren ross
Oil on wood panel
h: 60 w: 42 d: 2 (cms).
'I Am Half-Sick of Shadows' is a self portrait inspired by the poem The Lady of Shalott and Waterhouse's renditions of the eponymous character.
£850
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Newborn by Jemima Spence
Newborn by Jemima Spence
71 / 239
By Jemima Spence
Oil on canvas, framed
h: 42 w: 28 d: 1 (cms).
£1350
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And Then I Broke Free From The Golden Cage by laura arenson
And Then I Broke Free From The Golden Cage by laura arenson
72 / 239
By laura arenson
Graphite on hand toned paper
h: 45 w: 30 d: 1 (cms).
£2500
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Pablo by Artist Jo Gray
Pablo by Artist Jo Gray
73 / 239
By Artist Jo Gray
Acrylic on paper
h: 40 w: 53 d: 1 (cms).
In this realistic painting, a black pug takes center stage against a backdrop of lively green, turquoise, and pink stripes. The vibrant backdrop adds a dynamic contrast, infusing the scene with energy and playfulness. The overall effect is a charming and visually striking portrayal of a black pug in a vibrant setting. Layers of acrylic paint and glazes have been built up to create depth of fur.
£995
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Beau by Artist Jo Gray
Beau by Artist Jo Gray
74 / 239
By Artist Jo Gray
Acrylic on paper
h: 38 w: 40 d: 1 (cms).
In this vibrant painting, a beautiful grey cat is set against a bright, dark pink background, creating a bold and captivating contrast. The cat's piercing yellow eyes add an element of intrigue and intelligence to the composition. A dapper blue bow tie around its neck not only adds a pop of colour but also infuses a playful charm. Layers of acrylic paint and glazes have been built up to create depth of fur.
£995
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Environmental Crisis by natalia kapchuk
Environmental Crisis by natalia kapchuk
75 / 239
By natalia kapchuk
Resin, single use plastic, pigments, dried fish, fish bone, LED lights
h: 100 w: 100 d: 8 (cms).
In "Environmental Crisis" (2019) Natalia Kapchuk represented her reflection on the plastic pollution and oil spill issues. The combinations of plastic waste and oil in our oceans are destroying the creatures that live in these waters. The devastating impact plastic and oil have on ecosystems can be traced through several different interrelated facts. The presence of plastic and toxins can be found within animals throughout the world’s food chain. With only fourteen percent of plastic packaging sent for recycling, an estimated forty percent of all global packaging material is placed in landfills, which is then leaked into the environment. Oil waste furthers environmental problems with the greatest damage caused, not by accidental spills and leaks, but by chronic and careless habits of improper disposal of used motor oil.
£10780
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Jaunty Fellows by emma perring
Jaunty Fellows by emma perring
76 / 239
By emma perring
oil on panel
h: 30 w: 20 d: 1 (cms).
Narcissus in a jar oil study
£375
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Summer Last by emma perring
Summer Last by emma perring
77 / 239
By emma perring
oil on panel
h: 18 w: 24 d: 1 (cms).
Oil study of vanilla Ice Sunflowers in a motto wear jug.
£350
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Copper Jug, Roses & Red Grapes by rebecca ritchie
Copper Jug, Roses & Red Grapes by rebecca ritchie
78 / 239
By rebecca ritchie
Oil on Canvas
h: 40 w: 30 d: 2 (cms).
£900
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Muscat Grapes & Teacup by rebecca ritchie
Muscat Grapes & Teacup by rebecca ritchie
79 / 239
By rebecca ritchie
Oil on Canvas
h: 23 w: 35 d: 2 (cms).
£700
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The Stuff Dreams Are made Of by frances featherstone
The Stuff Dreams Are made Of by frances featherstone
80 / 239
By frances featherstone
Oil on linen
h: 90 w: 80 d: 4 (cms).
A bird’s eye view of a folded patchwork landscape filled with an intense saturation of colour and patterns. I populated the painting with a mix of Persian tiles, Indian bedspread, Chinese cushions, and a Nordic jumper which fill the canvas with patterns and deep gorgeous colours. It feels like these will come alive and re-emerge in the sleeper’s dreams. I also enjoyed the extra narrative of the doll on the bed, of ‘The Woman Who Swallowed a Fly,’ which with its patterned dress added a fairy tale feel to this piece.
£4000
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The Geometry of Love by frances featherstone
The Geometry of Love by frances featherstone
81 / 239
By frances featherstone
Oil on linen
h: 100 w: 80 d: 2 (cms).
A painting of Vanessa, a personal trainer at my local gym and her wife. I wanted to celebrate the miracle of birth, made more so as two women come together to create and nourish new life. Vanessa is holding her wife’s baby, a scene which achieves unusual balance because next time her wife will carry her baby. The composition is one of strength with them forming a triangle balanced by a somewhat abstract geometric background. Painted in a limited zorn palette.
£2300
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'She will never love you' by solly solomon
'She will never love you' by solly solomon
82 / 239
By solly solomon
Oil on canvas
h: 51 w: 40 d: 2 (cms).
‘She will never love you’ is a painting about coming to what now appears to be a painfully obvious conclusion after the loss of someone important to me. This is a painting about working through this realisation and coming to a place of acceptance. The use of warm and cool lighting on the face highlights the ups and downs of what felt to be a really complicated and confusing relationship.
£1200
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THE UNTOLD STORY by jill carter
THE UNTOLD STORY by jill carter
83 / 239
By jill carter
Watercolour paints, wax pastels
h: 52 w: 72 d: 1 (cms).
£980
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The end of the day by celia normand
The end of the day by celia normand
84 / 239
By celia normand
Aquatint etching
h: 12 w: 21 d: 1 (cms).
£400
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99 Landscapes by eleni maragaki MA, MRSS
99 Landscapes by eleni maragaki MA, MRSS
85 / 239
By eleni maragaki MA, MRSS
Flag book made using pencil drawings
h: 24 w: 85 d: 8 (cms).
I created this flag book inspired by Manchester-based artist Leslie Thompson, to be part of our two-person exhibition in Dora House, The Royal Society of Sculptors. It contains 99 unique drawings of a variety of African landscapes and trees, as a response to Leslie’s depictions of his favourite animals and their habitats.
£3525
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Kayoon with a yellow cushion by sally ward
Kayoon with a yellow cushion by sally ward
86 / 239
By sally ward
Oil on canvas
h: 60 w: 50 d: 3 (cms).
A painting of my friend and fellow artist Kayoon Anderson based on a single sitting at her home. I wanted to capture the tranquility evoked by both her home environment and by her personality, using the vibrant yellow cushion and large window as a compositional device for framing the portrait.
£2000
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Not so blue II by cristina celestini
Not so blue II by cristina celestini
87 / 239
By cristina celestini
colour pencils on transparent copy paper
h: 41 w: 58 d: 1 (cms).
This portrait is part of a new body of work where I give shape to my reflections on the impermanence of memory. Memories are made of subtle layers that vanish ever so imperceptibly mirroring the many subtle shifts and changes in peoples’ personalities. This portrait was painted towards the end of January and the blue symbolises the dark winter days. The memories, as the often are for me, are the light that help us go through the most difficult moments of our lives.
£1000
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Phantasmagorical by olga brown
Phantasmagorical by olga brown
88 / 239
By olga brown
oil on canvas
h: 91 w: 120 d: 2 (cms).
The girl wrapped up in folds of fabric. She reaches out towards a colourful world in front of her. It shows feelings of uncertainty and insecurity and the desire to escape to an imaginative world.
£3800
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Dancing by sue roe
Dancing by sue roe
89 / 239
By sue roe
Monoprint
h: 15 w: 11 d: 1 (cms).
This print shows embossment.
£280
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Blue Hook Tangle by jaana fowler PS
Blue Hook Tangle by jaana fowler PS
90 / 239
By jaana fowler PS
Wire and found objects
h: 63 w: 60 d: 53 (cms).
£995
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Twin Forms by jaana fowler PS
Twin Forms by jaana fowler PS
91 / 239
By jaana fowler PS
Painted cement
h: 45 w: 43 d: 32 (cms).
£995
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Lay it Out by sheila page
Lay it Out by sheila page
92 / 239
By sheila page
Acrylic
h: 42 w: 59 d: 1 (cms).
One of a series of old carpentry tools, celebrating hand skills.
£850
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String Theory by ann tomlin
String Theory by ann tomlin
93 / 239
By ann tomlin
Graphite Pencil on Paper
h: 11 w: 17 d: 1 (cms).
£375
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Chia by Ange Bell
Chia by Ange Bell
94 / 239
By Ange Bell
oil and coloured pencil on panel
h: 20 w: 15 d: 4 (cms).
My work focuses on the themes of origins and belonging and it is this concern that has formed the basis of my practice. Whether collecting and working from found photographs or, as in recent months, working from selfies taken by Instagram users. Through the act of painting I reclaim and invigorate, with added permanence and significance, a moment lost in the instant it occurred. Within the portraits there is an echo of that which is lost and sought, it speaks at times to our sense of nostalgia, and at others to our desire to be seen, recognised and valued. The act of retrieving and reviving is at the core of my practice, from the sourcing of material to the process of painting itself. I create detailed studies in oil, and through a process of working back in to the surface and exploring mark making techniques, I distort, eliminate and manipulate the image to create a visual language. I aim to create a portrait that not only captures a likeness but also has a vibrancy and depth to it as well as the desire to create a painting with which the viewer can establish a point of communication. I do not look to dictate a specific meaning through the narrative presented but rather to prompt dialogue between the subject and the viewer.
£975
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Cup Stack by Kate Stone
Cup Stack by Kate Stone
95 / 239
By Kate Stone
Oil on canvas
h: 76 w: 30 d: 2 (cms).
£750
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Game on by Gabriela Szulman BA(Hons), MA
Game on by Gabriela Szulman BA(Hons), MA
96 / 239
By Gabriela Szulman BA(Hons), MA
Acrylic paint and collage on birch board
h: 30 w: 30 d: 1 (cms).
£575
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Rush Hour in Mumbai by jill craft
Rush Hour in Mumbai by jill craft
97 / 239
By jill craft
Watercolour, Collage and Mixed Media
h: 39 w: 49 d: 1 (cms).
One in a series on vehicles, showing different aspects of transport.
£750
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Paris, July 2023 by morgan gibbs
Paris, July 2023 by morgan gibbs
98 / 239
By morgan gibbs
Oil on paper
h: 30 w: 21 d: 1 (cms).
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The Go Between by Gabriela Szulman BA(Hons), MA
The Go Between by Gabriela Szulman BA(Hons), MA
99 / 239
By Gabriela Szulman BA(Hons), MA
Acrylic paint and collage on birch board
h: 30 w: 30 d: 1 (cms).
£575
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Studio Interior by caroline griffin
Studio Interior by caroline griffin
100 / 239
By caroline griffin
oil on canvas board
h: 28 w: 38 d: 1 (cms).
This painting for me was all about the light - I wanted to capture the essence of my studio space through light. My studio is fairly cluttered so by working contre jour superfluous detail is eliminated allowing me to concentrate on creating atmosphere through shape and tone.
£750
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