Society of Women Artists : Non Members - Society of Women Artists 163rd Annual Open Exhibition

Winter Colour

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Hot Flush

By komachi goto

oil on board

h: 24 w: 18 d: 1 (cms).

Hot flush, my painting is about myself and how I am dealing with various menopause symptoms. One of it is the hot flush, I have had this sudden heat, mostly on my face, for last ten years or so. Usually I ignore it as its passes quick enough and no time to do much about it. But as my other Job is life drawing model and often used as portraiture model and as I feel sudden heat climbing up my face, I can see artists have to stop or observing my ever changing tone For this self portrait, I have worked from live, with mirror and when hot flush hit, I took photos of myself and worked from photograph too. I didn’t realized how red/orange I turn. Hot flush is not pleasant experience but I can’t be bothered by it as it happens so often and had been for so long, and I joke about it. If I could ride above my embarrassment, if I could whistle it away I would, even only in paintings.

£1200

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Hot Flush

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Docs and Stripey Socks

By Tina Braddock BA(Hons)

Etching

h: 17 w: 14 d: 1 (cms).

Docs. Stripey Socks. I consider this a self portrait. Stripes are a magnet for me, I dont know why, and they are frequently paired with my tatty old docs. I will be buried in them some day, hopefully not soon.

£250

£175 (Unframed)

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Docs and Stripey Socks

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Sulight in Yellow Room

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Urban Jungle

By Debbie Ayles

Acrylic, gouache, watercolour, pencil on paper

h: 57 w: 74 d: 1 (cms).

The shapes and forms of the architecture and transport hub that surround the London Eye.

£1500.00

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Urban Jungle

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Yellow Sunhat

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Drink Wine and Pick Dandelions

By sally ellis

Mixed Media

h: 60 w: 84 d: 3 (cms).

It's abstracted familiarity. I wanted to capture a hope, a wish, that's all. I express with many, many spontaneous marks and layers of inks, pencils, and paint, without any expectation of outcome. This way I can't get a wrong result. My thoughts were about the future and who would be part of it, a need for meaningful connections and simple things. Often it's vessels that appear first, here the glasses were obvious to me with the flashes of blue, from there came a narrative of friendship and sharing, of happiness and of hope. But my story is unimportant, I want to evoke untold or as-yet-unknown narratives and emotions of connection and familiarity.

£1500

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Drink Wine and Pick Dandelions

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Pearl

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Reflections - self portrait on a train

By jane molineaux boon

oil on canvas

h: 60 w: 50 d: 2 (cms).

an interpretation on the theme of the self portrait, using selfies taken on train journeys. An exercise in painting light and movement and producing a self portrait which is about the whole person rather than image of their face

£1150

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Reflections - self portrait on a train

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Gathering Heather

By laura cramer

Acrylic and Mixed Media on Canvas

h: 50 w: 50 d: 2 (cms).

This painting explores the shapes and patterns of plants found in my garden in their simplest of forms.

£950

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Gathering Heather

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Blackbirds & Thrushes

By Elina Siddal

oil paint on linen canvas

h: 65 w: 54 d: 2 (cms).

Exploring dualities, this painting pays homage to the traditional tune Hares on the Mountain, a love ballad shifting the traditional power dynamic in courtship. Standing in between two branches, hair braided from two strands of hair, the central maiden is surrounded by two songbirds. Embodying the men, their presence challenges the commonly held analogy between women and non-threatening animals such as birds (a saying still used to refer to girls in a foolish manner) in folk music. The strawberry, held in defiance, historically embodies both righteousness and sin. The choice of referencing an archival Strawberry Thief Liberty dress, whose pattern was designed after the cheeky thrushes W. Morris used to spot in his garden, subtly expands on this ambiguity. Seen as the fruit of love in ancient Rome, a devotional symbol of the Virgin in Medieval manuscripts, and even temptation’s ally in Bosch’s Garden of Delights, its double meaning never ceases to question intent. This painting, with its rich tones and luminous glazes, is an exercise in balance, standing in tune with our time in its subversive playfulness.

£6500

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Blackbirds & Thrushes

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CHISOM

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The Bed

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innocence

By HayamElsayedart

Oil on linen

h: 30 w: 25 d: 2 (cms).

"One of the most important - and most intimidating - parts to paint or draw are the eyes. the human eye is vital to communicating emotion, character and inner thoughts. getting the eyes just right is hard. To Make Realistic Eyes, We Need to Force Our Brains to See What's Really There. "innocence, " I hope this painting recreates and brings out the feeling of freedom, happiness and elegance.

£800

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innocence

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The Infinite Shepherdess

By sophie howard

Bronze resin

h: 40 w: 39 d: 15 (cms).

The infinite Shepherdess refers to the song La Mer. In that song by Charles Trenet she looks after the sheep (clouds) on the blue landscape of the sky. Along the same coast, rustic houses and white birds look down on the sea, where horses gallop in the surf.

£800

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The Infinite Shepherdess

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Felippe

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In Winter

By janet keith

acrylic on board

h: 38 w: 51 d: 1 (cms).

£700

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In Winter

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Shifting Tides

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A Bridge to Cross

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A yellow-tailed white cockatoo

By felicity starr RBA

Oil on canvas panel

h: 30 w: 14 d: 1 (cms).

£399

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A yellow-tailed white cockatoo

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Seville Plaza

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Hebe

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Southbank One

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Sacrifice

By veronica valeri

Acrylic on board

h: 25 w: 20 d: 1 (cms).

The painting is a metaphor for the sacrifice behind the achievement of success, of every success. We can see the wounds on a dancer's feet, hidden by her pretty ballet shoes. The dancer seems to float with grace and lightness during the performance, without apparent effort, but in reality she dedicates herself to a strenuous daily practice to achieve her goal.

£450

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Sacrifice

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Zagara

By emily rogers

Oil on canvas

h: 60 w: 50 d: 4 (cms).

This portrait was painted entirely from life under natural light using the sight-size technique at the Charles H. Cecil Studios in Florence. I loved capturing Zagara's expression and painting her short hair held in place with the green headscarf.

£3000

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Zagara

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Boatyard

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Girls' Day Out

By Anita Saunders BA(Hons)

Oil-based and acrylic inks on acid-free heavyweight paper

h: 43 w: 34 d: 2 (cms).

Girls' Day Out combines two printmaking techniques - silkscreen and lino printing. The drawing fluid technique was employed to create the individual screens used to lay down the base colours for each print in the edition. Printing a carved lino block over the base colours using warm black, oil-based printing ink, completed the composition. The inspiration was provided by the obvious joy of a trio of hens as they explored the garden, free of the henhouse.

£310

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Girls' Day Out

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Magnolia in bloom

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Limes

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Picasso and pinecone

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Busy Day Tokyo

By Sylvia Paul

Acrylic on Canvas

h: 70 w: 70 d: 2 (cms).

I used my original reference photos to create this painting. It captures the busy colourful atmosphere of a street in Tokyo in an expressive way. I used a palette knife to apply the heavy body paint.

£2000

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Busy Day Tokyo

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Self portrait at 32

By paulina kwietniewska

oil on paper

h: 40 w: 30 d: 1 (cms).

It one of a few self portraits I have painted from life. Having suffered from eating disorders for many years, I find painting myself to be a healing process where I'm not judging myself but trying to state some facts about my physical appearence. I noticed that in presence of a mirror, I tend to objectify myself - whether it's a mirror in an elevator, or a car or shop window. I realised that when I paint myself though, I free myself from judgement, see things as they are and look at myself with acceptance. I made these self portraits a tradition now and it's a space where I go when I'm not feeling very well or need to understand myself.

£500

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Self portrait at 32

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Myriam

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Mathilde II

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Beach Bodies 2

By theresa pateman

etching

h: 20 w: 15 d: 1 (cms).

£250

£180 (Unframed)

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Beach Bodies 2

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Her

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A Wife’s Apprehension

By Isabella Murphy

Pencil

h: 29 w: 21 d: 1 (cms).

This portrait depicts my mother after my father’s stroke. I intended to capture her anxiety, fear and exhaustion. Drawing at this difficult time was very healing for me.

£500

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A Wife’s Apprehension

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The Artist"s Studio

By anne skinner RSW

Acrylic

h: 87 w: 107 d: 1 (cms).

Inspired by the view from my studio window, with items from my desk

£3200

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The Artist"s Studio

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Tea Sifter Spoon

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Surface 6. Cornwall

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Surface 8. Cornwall

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Mum, aged 81

By Victoria Sills

Oil on board

h: 15 w: 10 d: 1 (cms).

Painting based on a sitting

£850

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Mum, aged 81

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Moon over Aldeburgh II

By rachel arif

Oil on Board

h: 20 w: 30 d: 2 (cms).

A smaller crop of the original large painting, Full Moon over Aldeburgh. I was also thinking of Joan Eardley Catterline works, I feel this comes across a little in this work.

£550

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Moon over Aldeburgh II

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Stanley

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Siren

By victoria atkinson

jesmonite

h: 50 w: 15 d: 15 (cms).

£680

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Siren

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Las Canteras

By lesley hilling

Salvaged wood

h: 55 w: 55 d: 12 (cms).

The wood in this piece has been collected from various sea side places, parts of old beach huts and unwanted furniture eroded over time. Pieced together with an obsessive joinery to create a new object redolent of the past.

£2500

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Las Canteras

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Trees on a Dry Stone Wall

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Hidden Fresco

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Blue Moon Bird

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The Bench, Villa Melzi Gardens, Bellagio, Italy

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View of the Cornish Coast

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Fallen Angel

By jill burridge

Acrylic and charcoal on mount board

h: 100 w: 100 d: 1 (cms).

The circus artist performing for the audience's entertainment has now 'Fallen'. This is her time and her choice; both defiant and indifferent to the viewer.

£2200

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Fallen Angel

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Self Portrait, Village Hall Antichamber, 6 Dec 2023

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Exploded

By toni dade SBA

Watercolour

h: 60 w: 40 d: 1 (cms).

£3750

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Exploded

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Personal Space: Spin

By catherine macdiarmid

Oil on canvas

h: 35 w: 35 d: 5 (cms).

My work is inspired by the people around me – friends and close family feature predominantly. I never seek to flatter, but rather to unveil hidden narratives and record situations the way I see or recall them, representing for me a memory, relationship, event, or even a feeling, making each piece very personal. These can be single portraits, or scenes featuring groups and gatherings. I sometimes alter narratives by juxtaposing figures together, however, primarily it is determined by my perception of different situations and the people around me.

£900

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Personal Space: Spin

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L'Ange Pénitente

By Julia Alexandra Beer MFA

Bronze-patinated

h: 68 w: 20 d: 16 (cms).

£3800

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L'Ange Pénitente

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Whispers

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Gold Stripe

By carol ryder HFEA; MA; PG Cert Ed; BA hons

Water Colour

h: 42 w: 29 d: 1 (cms).

‘Gold Stripe’ is a portrait of performance artist Silvia Ziranec. It forms part of a series called 'Portraits of Personal Style', in which a diverse range of women and girls with nonconformist approaches to personal expression are depicted in ways that defy patriarchal conventions of female representation. Throughout the history of art, where images of women were traditionally created to satisfy the dominant patriarchal culture and the male gaze, older women are frequently depicted as frail and vulnerable, or as obsolete, sexually bankrupt anachronisms, particularly when contrasted with images of young women, typically depicted as sexual objects. Silvia’s energetic presence and playful approach to fashion and style inspired me to paint her portrait to present an alternative, more positive view of the older woman. In the execution of this portrait, I sought to capture Silvia’s lively personality, bemused expression, and idiosyncratic personal style. On the day I met her, along with her bright magenta hair, cluster pearl earrings, beaded bauble necklace and electric blue eyeliner, Silvia wore a gold stripe painted on her nose. The resulting portrait was painted in watercolour, with the gold stripe on Silvia’s nose applied using imitation gold leaf.

£1850

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Gold Stripe

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Zoom Call

By carol ryder HFEA; MA; PG Cert Ed; BA hons

Water Colour

h: 27 w: 27 d: 1 (cms).

During The Covid-19 pandemic of 2020 – 2021, UK government guidelines related to social distancing led to the widespread adoption of the Zoom platform to enable continued interpersonal communication. This watercolour portrait was painted from a screengrab, taken by the artist, during such a Zoom meeting with businesswoman and friend, Jan Bigg-Wither. The portrait is part of a series called 'Portraits of Personal Style', in which a diverse range of women and girls with nonconformist approaches to personal expression make a valuable contribution to the broader landscape of contemporary style and challenges the recurrent female stereotypes that permeate popular culture and the visual arts, where women and girls are frequently represented as erotic, sexualized, infantilized, vulnerable or submissive, in imagery designed to satisfy the male gaze.

£1650

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Zoom Call

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Bread and Butter on Gaudy Welsh

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I Am Half-Sick of Shadows

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Newborn

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And Then I Broke Free From The Golden Cage

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Beau

By Artist Jo Gray

Acrylic on paper

h: 38 w: 40 d: 1 (cms).

In this vibrant painting, a beautiful grey cat is set against a bright, dark pink background, creating a bold and captivating contrast. The cat's piercing yellow eyes add an element of intrigue and intelligence to the composition. A dapper blue bow tie around its neck not only adds a pop of colour but also infuses a playful charm. Layers of acrylic paint and glazes have been built up to create depth of fur.

£995

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Beau

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Environmental Crisis

By natalia kapchuk

Resin, single use plastic, pigments, dried fish, fish bone, LED lights

h: 100 w: 100 d: 8 (cms).

In "Environmental Crisis" (2019) Natalia Kapchuk represented her reflection on the plastic pollution and oil spill issues. The combinations of plastic waste and oil in our oceans are destroying the creatures that live in these waters. The devastating impact plastic and oil have on ecosystems can be traced through several different interrelated facts. The presence of plastic and toxins can be found within animals throughout the world’s food chain. With only fourteen percent of plastic packaging sent for recycling, an estimated forty percent of all global packaging material is placed in landfills, which is then leaked into the environment. Oil waste furthers environmental problems with the greatest damage caused, not by accidental spills and leaks, but by chronic and careless habits of improper disposal of used motor oil.

£10780

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Environmental Crisis

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Summer Last

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The Stuff Dreams Are made Of

By frances featherstone

Oil on linen

h: 90 w: 80 d: 4 (cms).

A bird’s eye view of a folded patchwork landscape filled with an intense saturation of colour and patterns. I populated the painting with a mix of Persian tiles, Indian bedspread, Chinese cushions, and a Nordic jumper which fill the canvas with patterns and deep gorgeous colours. It feels like these will come alive and re-emerge in the sleeper’s dreams. I also enjoyed the extra narrative of the doll on the bed, of ‘The Woman Who Swallowed a Fly,’ which with its patterned dress added a fairy tale feel to this piece.

£4000

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The Stuff Dreams Are made Of

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The Geometry of Love

By frances featherstone

Oil on linen

h: 100 w: 80 d: 2 (cms).

A painting of Vanessa, a personal trainer at my local gym and her wife. I wanted to celebrate the miracle of birth, made more so as two women come together to create and nourish new life. Vanessa is holding her wife’s baby, a scene which achieves unusual balance because next time her wife will carry her baby. The composition is one of strength with them forming a triangle balanced by a somewhat abstract geometric background. Painted in a limited zorn palette.

£2300

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The Geometry of Love

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'She will never love you'

By solly solomon SWAc

Oil on canvas

h: 51 w: 40 d: 2 (cms).

‘She will never love you’ is a painting about coming to what now appears to be a painfully obvious conclusion after the loss of someone important to me. This is a painting about working through this realisation and coming to a place of acceptance. The use of warm and cool lighting on the face highlights the ups and downs of what felt to be a really complicated and confusing relationship.

£1200

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'She will never love you'

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THE UNTOLD STORY

By jill carter

Watercolour paints, wax pastels

h: 52 w: 72 d: 1 (cms).

£980

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THE UNTOLD STORY

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The end of the day

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99 Landscapes

By eleni maragaki MA, MRSS

Flag book made using pencil drawings

h: 24 w: 85 d: 8 (cms).

I created this flag book inspired by Manchester-based artist Leslie Thompson, to be part of our two-person exhibition in Dora House, The Royal Society of Sculptors. It contains 99 unique drawings of a variety of African landscapes and trees, as a response to Leslie’s depictions of his favourite animals and their habitats.

£3525

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99 Landscapes

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Kayoon with a yellow cushion

By sally ward

Oil on canvas

h: 60 w: 50 d: 3 (cms).

A painting of my friend and fellow artist Kayoon Anderson based on a single sitting at her home. I wanted to capture the tranquility evoked by both her home environment and by her personality, using the vibrant yellow cushion and large window as a compositional device for framing the portrait.

£2000

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Kayoon with a yellow cushion

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Not so blue II

By cristina celestini

colour pencils on transparent copy paper

h: 41 w: 58 d: 1 (cms).

This portrait is part of a new body of work where I give shape to my reflections on the impermanence of memory. Memories are made of subtle layers that vanish ever so imperceptibly mirroring the many subtle shifts and changes in peoples’ personalities. This portrait was painted towards the end of January and the blue symbolises the dark winter days. The memories, as the often are for me, are the light that help us go through the most difficult moments of our lives.

£1000

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Not so blue II

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Phantasmagorical

By olga brown

oil on canvas

h: 91 w: 120 d: 2 (cms).

The girl wrapped up in folds of fabric. She reaches out towards a colourful world in front of her. It shows feelings of uncertainty and insecurity and the desire to escape to an imaginative world.

£3800

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Phantasmagorical

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Dancing

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Blue Hook Tangle

By jaana fowler PS

Wire and found objects

h: 63 w: 60 d: 53 (cms).

£995

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Blue Hook Tangle

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Twin Forms

By jaana fowler PS

Painted cement

h: 45 w: 43 d: 32 (cms).

£995

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Twin Forms

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Lay it Out

By sheila page

Acrylic

h: 42 w: 59 d: 1 (cms).

One of a series of old carpentry tools, celebrating hand skills.

£850

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Lay it Out

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String Theory

By ann tomlin

Graphite Pencil on Paper

h: 11 w: 17 d: 1 (cms).

£375

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String Theory

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Cup Stack

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Game on

By Gabriela Szulman BA(Hons), MA

Acrylic paint and collage on birch board

h: 30 w: 30 d: 1 (cms).

£575

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Game on

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Rush Hour in Mumbai

By jill craft

Watercolour, Collage and Mixed Media

h: 39 w: 49 d: 1 (cms).

One in a series on vehicles, showing different aspects of transport.

£750

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Rush Hour in Mumbai

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Paris, July 2023

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The Go Between

By Gabriela Szulman BA(Hons), MA

Acrylic paint and collage on birch board

h: 30 w: 30 d: 1 (cms).

£575

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The Go Between

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Studio Interior

By caroline griffin

oil on canvas board

h: 28 w: 38 d: 1 (cms).

This painting for me was all about the light - I wanted to capture the essence of my studio space through light. My studio is fairly cluttered so by working contre jour superfluous detail is eliminated allowing me to concentrate on creating atmosphere through shape and tone.

£750

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Studio Interior

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Why I

By carol wagstaff

Patinated Bronze

h: 15 w: 10 d: 10 (cms).

“Why I, is born from the powerful impact of an article in the Times, portraying a young boy who endured an air attack in Yemen. His bewildered and pained expression, etched in my memory, serves as the inspiration for this piece—a heartfelt plea for peace, resonating with the countless injured and affected children worldwide.

£1400

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Why I

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The Secret Keeper

By Asya Dudko BA(Hons)

Paperclay

h: 40 w: 17 d: 15 (cms).

The piece is sculpted with air drying clay around a wire armature. The Secret Keeper communicates the ideas from the following quote: 'And now here is my secret, a very simple secret: it is only with the heart that one can see rightly, what is essential is invisible to the eye'. Antoine de Saint-Exupery

£1800

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The Secret Keeper

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Liverpool Street Station, London.

By maria kaleta

Pastel on acid free paper

h: 30 w: 40 d: 1 (cms).

Liverpool Street Station is one of the most attended transport stops in the city. Thousands of Londoners enter through its old and beautifully designed arches and onto the platforms within every day. But it is a station which also symbolises modernity and everything that is best about London. It houses the latest transport and communication lines - especially the Elizabeth Line. It also illustrates the collaged nature of London - buildings which are both modern and contemporary, as well as all different kinds of people, including city workers and tourists from a variety of backgrounds and cultures. For thousands, it is definitely the place to be.

£845

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Liverpool Street Station, London.

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Garden of Delights II

By maureen mace

Acrylic on canvas

h: 50 w: 50 d: 4 (cms).

My work is very influenced by medieval manuscripts and I have been lucky enough to draw from some original manuscripts at the Parker Library, Corpus Christi in Cambridge. The characters in this painting are based on some of the drawings I have made. In the background is the lovely Round Church built around 1130 and situated in the centre of Cambridge.

£2200

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Garden of Delights II

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The Music of My Heart

By Asya Dudko BA(Hons)

Paperclay

h: 50 w: 16 d: 17 (cms).

The piece is sculpted with air drying clay around a wire armature. The Music of My Heart sculpture transfers the ideas from the following quote: 'The most beautiful things in the world cannot be seen or touched, they are felt with the heart.' Antoine de Saint-Exupery

£2000

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The Music of My Heart

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Sharp

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Orchard Apples in a Bowl II

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Crow and Carrion in Storm Arwen

By diane mainzer Dip.AD

oil paint and oleopasto on board

h: 20 w: 25 d: 1 (cms).

This is from a landscape series of the low horizons around the River Don; with special interest in Storm Arwen and the behaviour of wildlife. The crow is fleeing the storm after checking the indeterminate carrion.

£850

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Crow and Carrion in Storm Arwen

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Wild Pomegranates

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Crow in Storm Arwen above the River Don

By diane mainzer Dip.AD

oil paint and oleopasto on board

h: 25 w: 20 d: 1 (cms).

Storm Arwen and a young crow is swept along by strong gusts of wind in the flatlands around the River Don.

£850

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Crow in Storm Arwen above the River Don

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Tree Blasted by Storm Arwen

By diane mainzer Dip.AD

oil paint and oleopasto on board; site specific wood treated before use in the painting

h: 20 w: 25 d: 1 (cms).

This painting is also about Storm Arwen but about the effect on the flora rather than fauna around the River Don. In the painting is a piece of wood from a tree broken in the storm.

£850

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Tree Blasted by Storm Arwen

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Temporary condition 10

By louise baldwin

stitched mixed media tin, wire, card, felt wood, thread

h: 26 w: 27 d: 2 (cms).

made in response to construction work , calm , tension. old and new.

£350

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Temporary condition 10

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Paros dusk, I

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Fonzi

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