Society of Women Artists : Non Members - Society of Women Artists 163rd Annual Open Exhibition

Exhausted

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Gulbarine

By zahra akbari baseri

Acrylic on linen

h: 70 w: 50 d: 1 (cms).

In this portrayal, I endeavored to encapsulate the serene beauty unfolding within the depicted scene. From her gaze emanates an innocence that transcends the confines of the canvas, imbuing the atmosphere with a tranquil essence. Bathed in the gentle glow of sunlight cascading from above, her visage exudes a delicate purity, aglow with golden hues. The intertwining of floral patterns adorning her dress harmonizes seamlessly with the intricate details of the sofa, forging an undivided unity. This composition not only captures the purity and tranquility of the moment but also evokes a poetic resonance . It's as if the very essence of "Gulbarin," a feminine name in Kurdish meaning "blossom," infuses the scene, subtly enriching its beauty.

£1600

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Gulbarine

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Zephyr

By zahra akbari baseri

Acrylic on linen

h: 70 w: 50 d: 1 (cms).

In this artwork, two separate frames serve to emphasize both the individual and their integration within their surroundings. The first frame isolates the subject, drawing attention to their contemplative state and self-awareness. Meanwhile, the second frame expands to encompass the broader environment, where the subject's reflection and shadow merge seamlessly with their surroundings. This integration symbolizes the indivisible connection between the individual and the world around them. The serene ambiance, amplified by the tranquil sky and its reflection on the glass, evokes a sense of renewal and anticipation, capturing the essence of a new day dawning with the gentle caress of the morning breeze.

£1600

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Zephyr

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Albion Night

By louise ventris

Oil on panel

h: 50 w: 61 d: 3 (cms).

‘Albion night' draw inspiration from moments of "dead time" such as traffic jams or commuting. I’m using the journey as a metaphor, with vehicles pushing through urban streets. The work reflects that sense of isolation and solitude that often accompanies these journeys, while also conveying the underlying stress and complexity of our relationship with time and acceleration society. As individuals we often feel rushed and pressed for time. Embedded within this work is a poignant reflection on the universal struggle against time poverty. We find ourselves perpetually caught in the throes of haste, juggling the demands of work, family, and leisure. This personal narrative intersects with broader societal challenges, particularly resonating with the experiences of working parents who grapple with the delicate balance of time allocation.

£800

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Albion Night

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To the Spoon and Back

By sarah baggaley

Etching

h: 24 w: 24 d: 1 (cms).

£275.00

£225.00 (Unframed)

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To the Spoon and Back

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Nostalgia

By millie gleeson

Acrylic & oil pastels on canvas

h: 120 w: 100 d: 2 (cms).

Nostalgia is part of the 'Perception' series, a series of self portraits that focus on distortion.

£3600

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Nostalgia

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A shift in the day

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Out of the darkness and into the light

By deborah pugh

Watercolour, gouache and graphite

h: 52 w: 52 d: 1 (cms).

I am exploring the possibilities of layering watercolour in a playful way while pushing the design and values to their extremes. The series follows on from my work last year with an increase in size and playing with motifs taken from the local landscape. "Out of the darkness and into the light" was completed following on from a series titled “Gems within the Chaos”. This refers to the chaotic local landscape with it’s erosion, sailing club, industry and docks all in close proximity, and the chaos of my mind while struggling with depression this year. Within this chaos I am always looking for the beauty. As with chaos comes calm and with darkness comes light. The motifs include: Circles which for me represent water, calm and protection; loops like the ropes of sailing vessels ( sailing has always brought me calm and now I watch from the shore all the varied boats and ships of the isle of sheppey coastline); and the line on the right represent the dead remains of small trees and bushes which have descended the cliffs onto the shore to form their own graveyard. They remind me of my personal loss of my father. Painting as we all know heals and therefore as the painting process went on I found areas of beauty which I then amplified with accents of gold.

£745

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Out of the darkness and into the light

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Early morning Cypresses

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Autumn opens her door

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Yellow roses by the steps

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Blue Vase

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The Shoes of Jackie Oh!

By jan lee johnson

Acrylic

h: 30 w: 30 d: 1 (cms).

I added detail of New York Times header recently.

£600

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The Shoes of Jackie Oh!

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Finch II

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Nia

By jennie mccall

Porcelain

h: 39 w: 12 d: 18 (cms).

Black porcelain with glaze on blackened oak base. Nia is a Swahili name meaning 'purpose'

£1200

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Nia

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Birthday

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Solasta

By jennie mccall

Stoneware

h: 37 w: 12 d: 18 (cms).

Stoneware sculpture with glazes on blackened oak base.The name Solasta is a Scottish Gaelic word meaning luminous or shining.

£1200

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Solasta

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"Sisters"

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'He went back to a climate more congenial to his cold stony soul”.

By Emma Louise Moore RSS, BA, MA

stone, metal, steel

h: 180 w: 40 d: 40 (cms).

free standing

£4100

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'He went back to a climate more congenial to his cold stony soul”.

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The Matriarch

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Ice Cream

By deborah harrison

Alabaster on Ancaster Limestone

h: 19 w: 8 d: 8 (cms).

The Ice Cream will hopefully be on a steel spiral by the end of this week.

£2500

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Ice Cream

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A Little Piece of London

By raina goran

Acrylic and Collage

h: 28 w: 22 d: 1 (cms).

I work in mixed media, hand painting my papers in acrylic paint and then cutting or tearing the papers to create collage artworks, inspired by city and urban landscapes. This painting, A Little Piece of London was inspired by a view of Regent Street in London. I have simplified my subject into shapes and patterns of contrasting colour, tilting the perspective in order to find another version of the place which is edited and energised.

£600

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A Little Piece of London

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New Movement

By Ahuva Zeloof

Bronze

h: 65 w: 160 d: 25 (cms).

A homage to the female body inspired by my experiences with movement and my deep respect for my own anatomy - and the gift it gave me in four children

£27600

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New Movement

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Good Things Come To Those Who Wait

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Charing Cross Station

By raina goran

Acrylic and Collage

h: 58 w: 49 d: 1 (cms).

I work in mixed media, hand painting my papers in acrylic paint and then cutting or tearing the papers to create collage artworks, inspired by city and urban landscapes. This painting, Charing Cross Station was inspired by a view of Charing Cross Station in London. I was interested in showing all the layers of life in London. I simplified my subject into shapes and patterns of contrasting colour, tilting the perspective in order to find another version of the place which is edited and energised.

£1400

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Charing Cross Station

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Reflections in green

By nicki mayne

Oil on canvas

h: 50 w: 40 d: 1 (cms).

Focusing on soft edges and reflections of colour in the model's face.

£850

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Reflections in green

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Bedhead

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Camelia in Sugar Bowl

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The Universe Stretched and Untangled

By carol burns

Mixed Media (Acrylic Paint, Graphite, Oil Pastel, Ink, Coloured Pencil and Collage)

h: 60 w: 42 d: 2 (cms).

Cosmology, the field that focuses on the origins and evolution of the universe, is confined to the ‘observable’ - those galaxies and stars whose light has had time to reach us. We have no way of knowing what lies beyond. More of the same, perhaps, or new strange realms.

£800

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The Universe Stretched and Untangled

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The Barber Shop II

By camilla dowse

Acrylic on gesso

h: 30 w: 30 d: 2 (cms).

A side/ back street in Cheltenham Gloucestershire.

£650

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The Barber Shop II

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Blackthorn I

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All Saints and Fairview (study)

By camilla dowse

Acrylic on gesso

h: 15 w: 15 d: 2 (cms).

£295

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All Saints and Fairview (study)

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As still as can be

By yasmine martinez

Acrylic and ink on A3 300gsm paper

h: 42 w: 30 d: 1 (cms).

Depression is a pain that I hope if I don’t move will keep walking past me but it sees me , it gets in me and it clings to every part of me.

£250

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As still as can be

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Pink Moon

By justine johnson

natural madder dye ,cochineal dye on washi on basswood, 22ct moon gold leaf, rose gold leaf

h: 70 w: 70 d: 5 (cms).

Pink Moon is a 3D wall sculpture work. The madder used was grown by me which takes 3 years to mature in order to process. Pink Moon represents rebirth, growth and renewal. The fullness a symbol of soul.Pink is a colour full of power and grace.Framed in clear acrylic box frame. As you move around the work the colours seem to change and dance, lighting plays can create soft shadows.

£6000.

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Pink Moon

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The Quality Of The Echo Is Very Strange

By carol burns

Mixed Media (Acrylic Paint, Graphite, Oil Pastel, Ink, Coloured Pencil and Collage)

h: 41 w: 31 d: 5 (cms).

Re-remembering is a fascinating process. Here memory, perception and imagination are interchangeable as we fill the gaps in our recollection with associations and imagined scenes.

£420

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The Quality Of The Echo Is Very Strange

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Festival Girl

By lucinda wait

oil on panel

h: 30 w: 24 d: 1 (cms).

Festival Girl catches your gaze with her bold stare. In that moment she is the one with all the experience.

£600

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Festival Girl

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Paros

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Street Life (Reflection 2)

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Ted

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Bacon

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Keliah in the golden chair

By rosso emerald crimson

oil on panel

h: 45 w: 35 d: 3 (cms).

Portrait of the sweet Keliah. Met her and her mum in London and asked if she would be willing to pose for me. Love the confidence behind a veil of hesitation.

£1200

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Keliah in the golden chair

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Self Portrait - Keep Calm And Carry On

By han han

Oil

h: 77 w: 61 d: 2 (cms).

This is a self portrait on my 42nd birthday. There is a Chinese saying, 'No self-doubt at age 40.' Turning 42, and facing new challenges in life, I still don't feel like the grownup I should be. This painting is my attempt to capture the moment of trying to accept changes, keeping calm, and carrying on.

£6800

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Self Portrait - Keep Calm And Carry On

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Una Casa en Sollér [3]

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Climbing the walls

By Keziah Burt BA MA

Foundry Bronze

h: 18 w: 18 d: 5 (cms).

Wall mounted bronze panels, inspired by my HEDs (Hypermobile Elhers Danlos Syndrome) a genetic connective tissue condition that effects my joints. This piece explores my need to find a position to release the pain. I twist and stretch to find a position to ease the tension in my body.

£4400

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Climbing the walls

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5.30pm

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B16

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"Is this it?'

By Emma Louise Moore RSS, BA, MA

stone, metal, steel

h: 30 w: 30 d: 20 (cms).

Sculpture - will be placed on plint

£3200

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"Is this it?'

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Propagation

By Terri Levine

Oil on cradled panel

h: 25 w: 25 d: 2 (cms).

£1000

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Propagation

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Sara

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“Afternoon Respite: A Glimpse into Highgate Pantry

By eugenia alekseyev

Oil on canvas board

h: 26 w: 25 d: 1 (cms).

£450

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“Afternoon Respite: A Glimpse into Highgate Pantry

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Bologna street

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Identity

By jitrachote white

oil on aluminium panel

h: 31 w: 21 d: 1 (cms).

Aluminum was deliberately chosen as the painting surface to evoke a distinct impression of the sitter. The intention was to distill the very essence of the subject, allowing the head to seemingly emerge organically from the metallic substrate. This choice not only adds a unique visual texture but also enhances the profound connection between the medium and the portrayed individual, offering a compelling synthesis of form and materia

£2500

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Identity

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Connection

By jitrachote white

oil on linen

h: 50 w: 40 d: 2 (cms).

This painting captures the essence of the profound connection between my son and me. Through carefully chosen warm colors, I sought to express the deep affection and warmth that binds us together. The deliberate use of soft edges enhances the portrayal, emphasizing the organic and interconnected nature of our relationship. Notably, the subtle suggestion of a window in the background introduces an element of mystery, hinting at the uncharted territories that lie ahead in our shared journey—a symbolic representation of the unknown future that awaits us.

£5800

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Connection

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Weaving Through the Night

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Coastal Breeze

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Really Yellow Soup

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Winter remains

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Self portrait 4 Ways

By JANE KELLY BA(Hons) OAS

Oil on canvas

h: 76 w: 60 d: 3 (cms).

Self portrait standing, with other selfies around me made during different experiences including the pandemic & having chemotherapy. I think I look like a cheerful survivor doing what I want to do.

£400

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Self portrait 4 Ways

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Summer Teatime

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Joy is Fleeting

By rosie winn

Pyrography wood-burning pen on paper

h: 75 w: 85 d: 2 (cms).

Figurative drawing influenced by dance, movement and memory. The work is drawn using a wood-burning pen; the lines are seared onto the paper.

£525

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Joy is Fleeting

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Meet Me Under The Clock

By emma mclachlan

Oil Paint

h: 21 w: 15 d: 1 (cms).

The clock in Glasgow Central Station is one of the most iconic landmarks in Glasgow. Known for being a convenient meeting point.

£320

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Meet Me Under The Clock

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Meditation

By lois sykes SOFA

mixed media

h: 30 w: 21 d: 3 (cms).

The sheep is where I want it to be.

£620

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Meditation

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The Barn Cat

By lois sykes SOFA

Oil on Board

h: 29 w: 19 d: 3 (cms).

Cats are an open subject.

£650

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The Barn Cat

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‘Young Buskers on a Break’

By carmen havens

Oil on canvas

h: 64 w: 46 d: 1 (cms).

I stumbled upon these two young buskers in an alley off Grafton Street in Dublin, counting their days’ wages. I was struck by their curated choice in clothing, traditional in style, yet polished and on trend with ‘Peaky Blinders’. They had obviously put thought into how they wanted to present themselves to their audience of locals and tourists alike. I stayed in touch with these young lads via social media as I painted the portrait, and learned that their dad had had a stroke. They were busking to make money and carry on the musical traditions of their family. Their father had once been the accordion player for acclaimed musician Glen Hansard’s 90s band The Frames, and Glen will occasionally join these boys for a busking session. He serves as a godfather in their lives, as their father never fully recovered from the stroke. I plan to paint them again, perhaps getting Glen in the scene.

£3800

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‘Young Buskers on a Break’

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Isolation - Afghanistan

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Crossing The Road - Marks

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Portrait of Efim

By Elizaveta Larina

Ink pen on paper

h: 40 w: 30 d: 1 (cms).

£400

£150 (Unframed)

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Portrait of Efim

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Burden Of Truth

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Presence Of Light

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The artist’s wife, the artist’s daughter, the artist

By karen de la gorce ASGFA

Oil on linen canvas

h: 81 w: 65 d: 2 (cms).

The artist’s wife, the artist’s daughter, the artist. This portrait is primarily a study of my daughter who’s an art student with a backdrop of a painting of Madame Machard, the wife of the 19th century French painter, Jules Marchard. My daughter and I visited our local art museum, the Arras Musée de Beaux Arts, and we discovered this painting. We were impressed by the delicate, but assured gaze of the model. We imagined her story as an artist’s wife and how very different her life must have been compared to mine as a female painter and my daughter as an art student. I tried to capture my daughter in an assured pose, displaying her tall stature and independence in contrast alongside the artist’s wife in her role of being decorative, reliant and adoring to her husband, the artist. The portrait started with pencil studies of my daughter from life, who I have painted many times before, and continued onto canvas with a detailed drawing, a simple grisaille and a limited colour palette. My aim was to be sympathetic to both models, with my daughter holding the ace of hearts playing card symbolizing how her life, her future, is her own compared to Madame Machard who seems almost fragile behind her, who we imagine her future is very much in the hands of her artist husband, the painter. This painting of Madame Marchard, painted in 1897, is currently on loan from the Musée d’Orsay, Paris. My painting of Madame Marchard is a mere interpretation in contrast to my daughter’s portrait who I’ve captured her likeness as close as I possibly can.

£2800

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The artist’s wife, the artist’s daughter, the artist

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Colours of Hockney

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The Power of Woman

By julie cross

Mixed Media and Oil on Wood Panel

h: 60 w: 45 d: 1 (cms).

£750

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The Power of Woman

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The Goat, The Fool and The Golden Dancer

By Chi

Oil Paint

h: 120 w: 150 d: 3 (cms).

This painting invites the viewers to contemplate the fragile and ever-changing relationship we have between ourselves, and to celebrate quiet-introspection.

£2500

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The Goat, The Fool and The Golden Dancer

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It’s A Story About A Little Girl Who Was Scared

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Menopause - Rage

By sara gregory

Oil on Panel

h: 31 w: 23 d: 2 (cms).

These paintings are from a series documenting the effects perimenopause had on both my mind and body and how I struggled to make sense of all the, often conflicting, emotions. Using self-portraits I have tried to accurately capture my feelings over a period of seven years before starting HRT. I try and describe in paint subjects such as the mood swings that would result in periods of melancholy or sheer anger. Anxiety so bad that I wondered if I was able to get out of bed and face another day. All these feelings and more I have tried to show in visual form in the hope that other women could identify with and make sense of their own feelings.

£850

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Menopause - Rage

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Under Cover

By anne moses

oil on canvas

h: 61 w: 101 d: 2 (cms).

This painting is from of a series of works called 'under cover'. The initial source material for this particular work was a young French girl called Elsa, who seemed to embody the contradictory qualities of timidness alongside the universal qualities of strength and determination. Following some digital manipulation of the image to determine the composition, colour etc. it was then scaled up and executed in transparent colour oil glazes, a technique I have been developing for the last 5-6 years. My main area of interest has always been the human face and form, encompassing universal recognition of emotion and sensuality seen up close with highly detailed observation. Larger than life images dealing with fragments of life seen at close range - the portrayal of the elusive touch or feeling; the detail and minutiae of life; introspection - fleeting ‘moments’ translated into paintings.

£3800

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Under Cover

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Rose after the Rain

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Synesthesia by Ella Sun,

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Foodbinding by Cristina Carboserio

By pupils from heathfield school

Mixed

h: 10 w: 15 d: 10 (cms).

A sires of sculptures exploring footbinding which was viewed as a rite of passage for young girls and was believed to be preparation for puberty, menstruation, and childbirth. It symbolized a girl's willingness to obey, just as it limited the mobility and power of females, kept women subordinate to men.

£1000

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Foodbinding by Cristina Carboserio

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Storm by Amber Ingram,

By pupils from heathfield school

Acrylic on canvas

h: 42 w: 59 d: 5 (cms).

£1000

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Storm by Amber Ingram,

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Corsets by Bella Walker

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Coral Bleaching by Lara Kimmins

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By elena sparke

Natural Silk, Natural Dyes, Bees Wax, 23 ct Genuine Gold Leaf, Stainless Steel Wire, Hand-gilded Rose Thorns, Hand-resist, Hand-stitch. Antique Gold Thread and Bobbin, Original Poetry. Handmade.

h: 20 w: 20 d: 20 (cms).

Symbolic value of rose and book, fluidity and narrative potential of textiles, metaphoric use of gold, subvert the idea of preciousness. Most invaluable treasures are all around us, in the enduring beauty of nature, perpetuity of culture, the work of human hands and within us. Informed by life experiences and private histories, ‘Rose Perpetual’ desires to distil artist’s voice into universally relatable narrative placed within a wider context of human journeys through life. Resulting artist book textile sculpture examines power of memory, identity, rhythms of nature echoing our own, connection to ancestral knowledge and, above all, - hope.

£3500

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Blue

By michaela wheater

Etching

h: 25 w: 19 d: 1 (cms).

Michaela Wheater’s work is concerned with the human condition. It takes the form of printmaking and oversized figurative drawings, all made from a deep personal exploration of vulnerability and the search for a truth in the moment of making. Michaela works intuitively and enjoys the dialogue that comes from working and reworking. She values the richness of a layered surface that is often the result of honestly showing her ‘working out’. Work is less about a popular aesthetic than what the process of making art means.

£265

£160 (Unframed)

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Blue

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Pears & Stripes

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You Give Me Joy

By deborah kreczmer

acrylic

h: 35 w: 38 d: 1 (cms).

I was fortunate to spend a morning last summer painting plein air in a beautiful cottage garden. The scene was so inspiring I had to do this again, this time on heavy watercolour paper, with a heightened colour palette and bold mark making to lead the viewer around the garden.

£350

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You Give Me Joy

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Curiosity

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Older Woman

By efua thomas

oil on paper

h: 25 w: 24 d: 1 (cms).

I did a series of self-portraits, each one looking like someone very different, even the style was different. I enjoyed the red hues of this one and by the time I did it, I didn't care what I looked like.

£300

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Older Woman

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Home Comforts

By steph garratt

Hand embroidered wool on hessian

h: 45 w: 56 d: 1 (cms).

£725

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Home Comforts

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May the path rise up to meet you

By wendy rhodes PhD

Etching

h: 61 w: 40 d: 1 (cms).

Copper plate etching on Somerset 300gsm paper. The etching explores open bite techniques as well as traditional intaglio methods to create interesting surface textures

£380

£290 (Unframed)

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May the path rise up to meet you

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Let the shadows slip away

By wendy rhodes PhD

Etching

h: 61 w: 40 d: 1 (cms).

Copper plate etching on Somerset 300gsm paper. The etching explores open bite techniques as well as traditional intaglio methods to create interesting surface textures

£380

£290 (Unframed)

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Let the shadows slip away

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Patti Smith

By elizabeth dyer

Oil and ground marble on linen

h: 60 w: 60 d: 5 (cms).

This piece is part of a series of portrait I have been working on of the artist of my life that have inspired me. My work focusses on contemporary portraiture, a fusion of oil and ground marble. I like to observe, understand, and capture the energy and character of each subject, from their everyday gestures to their overall character. The gaze of each subject becomes a defining moment and a unique aspect of my work.

£6500

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Patti Smith

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Boardwalk

By beryl miles BA(Hons) Fine Art (Painting) PGCE

Oil and Cold Wax on Board

h: 66 w: 66 d: 1 (cms).

I fell in love with the contrast between the geometric boardwalk and the natural environment in this composition and for me, it encapsulates the japanese idea of 'ma' space. It sadly doesn't fit with my current series, but I ran out of time on completing new work for this deadline and of course I sold one.

£1250

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Boardwalk

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Raspberry Ripple and Suncream

By Louise Bougourd BA (Hons) PGCE

Mixed media

h: 100 w: 100 d: 4 (cms).

Steeped in memories of happy times spent holidaying in Cornwall with my family, walking along cliff tops, sand between my toes, beaches of golden sand, exploring Cornish towns, villages and harbours.

£1995

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Raspberry Ripple and Suncream

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Long Days and Ambre Solaire

By Louise Bougourd BA (Hons) PGCE

Mixed media

h: 100 w: 120 d: 4 (cms).

Ambre Solaire wafting in the air, ice cream melting down my arm in the summer sunshine, eagerly awaiting more time to frolic on the beaches. I am always amazed how an image or a smell can reveal a buried memory, in this painting I have focused on the sensations of cold melting ice cream coupled with the evocative aroma of Ambre Solaire worn by my mother - a warm enveloping scent that pervades to this day.

£2500

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Long Days and Ambre Solaire

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Speak, See & Hear no Evil – It’s my Nature

By rebecca guyver

egg tempera on panel

h: 25 w: 30 d: 1 (cms).

This painting is free floated in a limed white frame. I chose Kikazaru (hear no evil) as a character in this drama. The countrywoman mustard pot and the owl represent the other natures. I grow most of the flowers in my still life paintings, many dahlias didn’t make it through last winter. The orange dinner-plate in contrast to the blue was how I started this painting.

£500

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Speak, See & Hear no Evil – It’s my Nature

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Fruits of her Labour

By rebecca guyver

egg tempera on panel

h: 26 w: 19 d: 1 (cms).

'He who works with his hands and his head and his heart is an artist', Francis of Assisi. I set this exciting still life up the same day that I finished the previous painting. It lurked, I swooned at the colour and tried to decide what I was going to say. The semi-intentionality of setting up a still life is the launchpad of my painting, it’s part of the hard work. To be honest, for me, the hardest part is waiting to get started and giving things time to percolate and giving way to the life of life.

£440

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Fruits of her Labour

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The Poisoned Parrot

By adrienne seed

Oil on canvas

h: 91 w: 71 d: 2 (cms).

Several years ago my beloved dog died. I was broken - couldn't paint, couldn't speak without breaking into tears and fell into a depression for many months. I eventually saw a CBT counsellor who told me to visualise a parrot who whispered repetitive negative thoughts into my head and not to listen to its incessant squawking. This painting is the first result of that imagery that eventually led me out of the darkness. Therapy also unearthed suppressed emotions about my AIDS diagnosis more than 20 years ago. The jack in the box is symbolic of the explosion of suppressed emotions: rage, fear, anxiety, questioning self worth, shame (although in the intervening years I became an early activist for women living with HIV). This painting was pivotal in resuming both my art and activism in being the voice of the many women who are unable to speak out.

£7500

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The Poisoned Parrot

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Scattering

By Tiffany Mak

Oil on board

h: 50 w: 40 d: 1 (cms).

This painting takes its influence from pre-raphaelite floral symbolism, with the rose being an unwavering symbol of love. The scattered petals represent a failed and withered love. The painting is intentionally decorative and imbued with seemingly superfluous and overused symbolism— to convey that beauty can prevail in the aftermath of a twisted love. The figure gazes away, forlorn but defiant. Hopeful of the reprieve that will come her way.

£500

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Scattering

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Bag lady

By Aran Illingworth MSDC, BA(Hons)

Textile

h: 83 w: 76 d: 2 (cms).

When you are destitute, you don’t have the words. You have the sky over your head and the Earth under your feet. You are hiding yourself and you don’t know where to go. All your worldly goods are in bags. Public space is an essential component of the daily life of homeless people, driving their vulnerability and sense of humiliation. Methods: Appliqué, hand-stitching and free machine stitching.

£1500

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Bag lady

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